Albert Oehlen : big paintings by me with small paintings by others
TitleAlbert Oehlen : big paintings by me with small paintings by others
Albert Oehlen : grandi quadri miei con piccoli quadri di altri (paralleltitel)
Albert Oehlen : grosse Bilder von mir mit kleinen Bildern von anderen (paralleltitel)
Albert Oehlen : des grandes peintures de moi avec des petites peintures d'autres (paralleltitel)
Albert Oehlen : grandi quadri miei con piccoli quadri di altri (paralleltitel)
Albert Oehlen : grosse Bilder von mir mit kleinen Bildern von anderen (paralleltitel)
Albert Oehlen : des grandes peintures de moi avec des petites peintures d'autres (paralleltitel)
Corporate author
PublisherMousse Publishing - Milan
Year of publication2021
Size113 p.: ill.: 29 x 20,5 cm
Materialhardcover boek, tentoonstellingscatalogus
ISBN978-88-6749-461-3
Subjectschilderijen, tentoonstellingen
Persons keyword Albert Oehlen, Richard Artschwager, Hans Bellmer, Peter Brüning, Gernot Bubenik, Werner Büttner, Gino De Dominicis, Willem de Kooning, Michaela Eichwald, Bruno Goller, John Graham, Duane Hanson, Jever, Hans Josephsohn, Martha Jungwirth, Mike Kelley, Konrad Klapheck, Ferdinand Kriwet, Eugène Leroy, Richard Lindner, Paul McCarthy, Birgit Megerle, Malcolm Morley, Markus Oehlen, Ed Paschke, Joyce Pensato, Richard Phillips, Christina Ramberg, Daniel Richter, Matthias Schaufler, Julian Schnabel, Hans Schweizer, Rebecca Warren, Franz West, Karl Wirsum
ShelfmarkB 2031/874
Abstract
The dual role of artist-collector is always an exciting coupling, and when the artist-collector is as elusive and discreet as Albert Oehlen, it is downright seductive. ALBERT OEHLEN “big paintings by me with small paintings by others”—published on the occasion of the homonymous exhibition at the MASI Lugano in 2021—witnesses Oehlen as an exhibited artist, a curator, and a collector. For the first time in such an extensive form, many of his own artworks are nail-to-nail with masterpieces from his collection. He devised a precise exhibition path in close collaboration with Francesca Benini and Christian Dominguez, and the catalogue reflects this precious dialogue. The connections between Oehlen and the artists in his collection speak for themselves; readers will readily spot the many and various alignments in terms of their ideas about art and the big questions they seek to answer.