True pictures? : zeitgenössische Fotografie aus Kanada und den USA
TitleTrue pictures? : zeitgenössische Fotografie aus Kanada und den USA
True pictures? : contemporary photography from Canada and the USA (paralleltitel)
True pictures? : contemporary photography from Canada and the USA (paralleltitel)
Author
Corporate author
Year of publication[2021]
Period20ste eeuw21ste eeuw
Size335 p.: ill.: 32 x 24 cm
Materialpaperback, tentoonstellingscatalogus
ISBN978-3-86442-370-3
Subjectgroepstentoonstellingen, fotografie
Geographical keywordCanada, Verenigde Staten
Persons keyword Vikky Alexander, Roy Arden, Walead Beshty, Anne Collier, Gregory Crewdson, Liz Deschenes, Stan Douglas, LaToya Ruby Frazier, Nan Goldin, Rodney Graham, Martine Gutierrez, Anthony Hernandez, Ayana V. Jackson, Owen Kydd, Elad Lassry, Louise Lawler, Deana Lawson, Zoe Leonard, Sherrie Levine, Ken Lum, Meryl McMaster, Trevor Paglen, Richard Prince, Collier Schorr, Allan Sekula, Cindy Sherman, Laurie Simmons, Xaviera Simmons, Taryn Simon, Lorna Simpson, Stephen Waddell, Jeff Wall, Ian Wallace, Carrie Mae Weems, James Welling, Christopher Williams
ShelfmarkB 2032/73
Abstract
Against the Econoclasm
This was the title of DER SPIEGEL's announcement of TRUE PICTURES? on 6.11.2021. At the beginning of the twentieth century, North American photography was seen as groundbreaking in the development of the medium’s artistic visual language. In the 1980s, however, this pioneering role was challenged by developments in Europe. Young artists no longer considered North American photography as a role model, and as a result it gradually moved out of the spotlight. TRUE PICTURES? now remedies this situation by presenting thirty American and Canadian photographers from three generations who, in part influenced by the advent of digital photography, saw and still see themselves challenged in particular by political and social upheavals. The list of themes is by no means short: the aftermath of the Vietnam War, the AIDS crisis, racism, feminism, questions around gender and sexuality, identity politics, and so on. The urgency of these problematic situations prompts the artists to assume highly polarized positions, both in terms of narrative and politically. By following subjective and transmedial approaches and exhausting the technical possibilities of the medium, they almost inevitably touch on topics such as the often cited »Bilderflut« (image overload) – a phenomenon to which they respond with a targeted critique on the excesses of the digital age. (bron: website uitgever)