e-flux Index #3
Titlee-flux Index #3
Author
Publishere-flux, New York, U.S.A. - New York
Year of publication2024
Size537 p.: ill.: 25,5 x 20 cm
Materialpaperback
ISBN9-772997-195007
LanguageEngels
Subjectkunsttheorie, kunstkritiek
Persons keyword Kwabena Appeaning Addo, Kimberly Alidio, Shouka Alizadeh, Corina L. Apostol, Aram, Arnavaz, Andrius Arutiunian, Robert Ashley, Goli Baharan, Stephanie Bailey, Oliver Basciano, Merve Bedir, Silvia Benedito, Pietro Bianchi, Alessandro Bosetti, Arno Brandlhuber, Nathan Brown, Boris Buden, Harry Burke, Rocio Calzado, Matevž Čelik, Adeline Chia, Ted Chiang, Canada Choate, Jace Clayton, Kim Cordóva, Ana Dana Beroš, Dasgoharan, Miri Davidson, Nuzhan Didartalab, Travis Diehl, Brian Dillon, Maria Dimitrova, Ben Eastham, Ren Ebel, Elaheh, Ludwig Engel, Future Foodscapes Research Unit, Ghoncheh Ghavami, Olaf Grawert, Boris Groys, Maddie Hampton, Negar Hatami, Jörg Heiser, Sandi Hilal, Daisy Hildyard, Juan José Santos, Nicole Kalms, Biljana Kašić, Tamta Khalvashi, Alina Kolar, Mo Michelsen Stochholm Krag, Cat Kron, Agnieszka Kurant, Michal Libera, R.H. Lossin, Rômulo Moraes, Nahal Nikan, Bahar Noorizadeh, Tausif Noor, Alice Notley, Daniel Muzyczuk, Joe Osae-Addo, Parva, Octave Perrault, Alessandro Petti, Andreas Petrossiants, Filipa Ramos, Robida, Aoife Rosenmeyer, Mika Savela, Debora Silverman, Daniel Spaulding, Jonas Staal, Kerstin Stakemeier, Ben Vida, Anthony Vidler, McKenzie Wark, Katrina Wiberg, Jenny Wu, Osman Can Yerebakan, Vivian Ziherl, Jacques Rancière
ShelfmarkB 2033/022
Abstract
This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?” (bron: e-flux)